Fare Şehri - Flushed Away 2006


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Yönetmen : David Bowers ; Sam Fell
Senaryo : Sam Fell ; Peter Lord ; Dick Clement
Görüntü Yönetmeni : Brad Blackbourn ; Frank Passingham
Müzik : Harry Gregson-Williams
Türkçe Adı : Fare sehri
Gösterim Tarihi : 15 Aralık 2006

Yapım : 2006
Ülke : İngiltere Amerika
Tür : Animasyon, Macera, Komedi, Aile
Süre : 84 dakika
IMDB Puan : 7.0/10 imdb tt0424095

A.K.A : Ratropolis

Oyuncu Rol
Hugh Jackman Roddy (voice)
Kate Winslet Rita (voice)
Ian McKellen The Toad (voice)
Jean Reno Le Frog (voice)
Bill Nighy Whitey (voice)
Andy Serkis Spike (voice)
Shane Richie Sid (voice)
Kathy Burke Rita's Mum (voice)
David Suchet Rita's Dad (voice)
Miriam Margolyes Rita's Grandma (voice)
Rachel Rawlinson Tabitha (voice)
Susan Duerden Mother (voice)
Miles Richardson Father (voice)
John Motson Football Commentator (voice)
Douglas Weston Newspaper Seller (voice)


Bilgi :The other day, I was reminded that Alfred Hitchcock's Psycho was the first movie—or at least the first major Hollywood movie—to
show a flushing toilet. I wonder what Hitch, or the censors he offended, would have said if they could have foreseen that, less than half a century later, his fellow Brits would make a family-friendly animated cartoon in which a flushing toilet is one of the central plot devices.

Indeed, it's right there in the title. Flushed Away concerns a mouse named Roddy (voice of Hugh Jackman) who has been living a cushy, if caged, life as a child's pet in a posh London neighborhood. One day, while the humans are away, a slobby sewer rat named Sid (Shane Richie) emerges from the kitchen sink and, in no time at all, begins to act like the place is his own private pigpen. Roddy tries to get rid of him by tricking him into thinking the toilet is a Jacuzzi, but Sid sees through this immediately and sends Roddy spinning and swirling down the pipes.

Roddy (voiced by Hugh Jackman, right), a pampered pet mouse, thinks he has finally gotten rid of Sid (Shane Richie), a common sewer rat, by luring him to the 'whirlpool'
Roddy (voiced by Hugh Jackman, right), a pampered pet mouse, thinks he has finally gotten rid
of Sid (Shane Richie), a common sewer rat, by luring him to the 'whirlpool'

The rest of the movie takes place almost entirely in the sewer system, where Roddy discovers a thriving society of rodents, amphibians, insects, slugs and fish, all modeled after modern-day England; there are streets, and bobbies, and doomsday prophets, and even fish-and-chips shops (though it is not clear whether they do, in fact, serve the talking fish). Given how scatological even family films have become in recent years, Flushed Away could easily have indulged in gross-out gags, but thankfully, for the most part, it refrains from that (apart from one or two bits, like the scene early on in which Roddy mistakes a chocolate bar for something else).

When Roddy is 'flushed away' into London's underworld, he is in for an unappetizing meal of maggots as a couple of slugs look on
When Roddy is 'flushed away' into London's underworld, he is in
for an unappetizing meal of
maggots as a couple of slugs
look on

The film—directed by first-time feature directors David Bowers and Sam Fell from a script credited to Fell and no less than six other writers—takes a while to find its footing or to build any sort of momentum. Okay, Roddy's lost, and he wants to get home—that seems clear enough. So he tracks down a boat captained by a mouse named Rita (Kate Winslet). But she's being pursued by a couple of gangster rats named Spike (Andy Serkis) and Whitey (Bill Nighy), who want a ruby that she may have stolen from their boss—a pompous, over-dramatic amphibian who is obsessed with the monarchy, and who is called, simply, The Toad (Ian McKellen). And no sooner is the jewel taken care of, in a manner of speaking, than we discover that The Toad has a much bigger, and even more dastardly, plan up his sleeve.

As another critic once remarked about Shark Tale, this movie has lots and lots of plot, and lots of gags to go with each new plot twist, but it's difficult at times to figure out what the story is. Is it that Roddy wants to get home? Is it that Rita needs the jewel? Is it that The Toad's plans for sewer domination must be stopped?

Boat captain Rita (Kate Winslet) befriends Roddy and helps him on his quest
Boat captain Rita (Kate Winslet) befriends Roddy and helps him on his quest

Fortunately, the film throws just enough lunacy at us to keep things entertaining even when we're not really sure where it's going. Like other films produced by DreamWorks and Aardman Animation (Chicken Run, Wallace and Gromit: The Curse of the Were-Rabbit), Flushed Away is loaded with groan-worthy puns ("Pardon me, my fly's undone," says The Toad when an insect he swallowed tries to escape) and pop-culture references (I spotted nods to James Bond, Superman, The Fly, Batman, Lady and the Tramp, Finding Nemo and Mary Poppins, among others), and it playfully mocks horror-movie clichés, as well (the old fisherman who takes Roddy to the docks where Rita can be found speaks into a bottle to make his voice echo).

But the film is at its best when it turns human artifacts toward new purposes (such as the chase scene in which the rats ride egg-beaters as though they were speed boats), or when it unashamedly sends up national stereotypes (old British women go inexplicably nuts over Tom Jones, Americans are dumb tourists, and the French—who are frogs, of course—are quick to surrender). These two elements come together in a deliriously funny scene, when The Toad addresses our heroes through a cell phone worn by one of the villainous frogs, and the frog in question happens to be a mime who supplements The Toad's ominous words with glib body language.

The Toad (Ian McKellen) struggles to show patience with his progeny
The Toad (Ian McKellen) struggles to show patience with his progeny

And then there are the slugs. The first time we see one, it's basically a throwaway gag, but the slugs build, and build, and build their presence throughout the film until they become a sort of Greek chorus, popping up at unexpected times to set the mood and comment on the action through shrieks and songs. They are kind of like the mice in the Babe movies, but slightly more involved in the action. (Attention must also be paid to the film's intriguing mix of animation techniques; while this is Aardman's first CGI feature, the characters have been designed to look—and even move—like the claymation models that populated Aardman's earlier films.)

Things like this keep the movie entertaining, and by the end, it turns out the film has an actual message to pass on, and it's a good one, to boot: Community is better than isolation; and being involved in the lives of others, however messy they or their environment might be, is better than living in a world of self-serving pleasures.


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